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The Gravity of the Situation
Cyclops (V.O.): Previously, on Sexy X-Men Dating Sim. We received a surprise deadline from Dorian, our publisher. If we wanted their resources, we’d have to […]
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No Crunch Policy
Cyclops (V.O.): Previously, on Sexy X-Men Dating Sim. Dorian killed one of our mutant cuties, though Amanda and I vowed to keep our beast man […]
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The Death of Our Wolverine
Cyclops (V.O.): Previously, on the X-Men dating sim. Amanda and I finished writing a design doc, which includes bios of our four main muties and […]
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Deadpool & One Particular Wolverine
🤚 This newsletter contains a spoiler for Deadpool & Wolverine. If you haven’t seen the film yet, you’ve been warned, bub. BTW: Did you get […]
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X-Men: Exhaustion
Cyclops (V.O.): Previously, on X-Men Dating Sim: Amanda and I developed a cast of superhunkos for the player to date. Next, we began developing the […]
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All Video Game Characters Have Amnesia
👋 I like to answer questions from folks about writing, narrative, and game design. Reply to this email or hit the comment button at the […]
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Sexy Superheroes Are Like Tip Jars
Have you ever been to a coffee shop where there are two rival tip jars at the counter? They usually have writing on them, like […]
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Gaming’s Best Kept Secret
As a narrative designer, it’s my job to play video games. To be clear, I’m not paid to play games, like a QA tester or […]
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Who Are the Sexiest X-Men?
In March, Amanda and I were driving to WonderCon in Anaheim, the kid sister of San Diego Comic-Con. WonderCon is like SDCC, but less. Less […]
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I’m Flipping Out!
Hello from Boston, City of Beans! This’ll be a short update, since I’m currently traveling across the east coast. Last week, I was visiting family […]
👋 Hey, I’m narrative designer Geoffrey Golden!
Equip Story is a weekly newsletter about how making games can be as fun as playing games.
For the Love of the Game
Equip Story is my newsletter of self-discovery through game development. I’m Geoffrey, a narrative designer, game maker, and interactive fiction writer from Los Angeles with over 15 years experience. I’ve had commercial success working for studios like Disney, Gearbox, and Ubisoft, but I’ve always treated commercial success as the most important goal for my art. Now I’m looking for something more. →
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